Unlike their continental counterparts, British designers never went in for the hard-edged modernism of the Bauhaus; they instead created--and continue to create--designs with a soft-edged sophistication that reflects an engaging and understated refinement. The fruits of this approach are immediately recognizable, from the visually seductive E-Type Jaguar, with its gently undulating hood and nostril-like headlight craters, to Giles Gilbert Scott's iconic red telephone.
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